From “SKiNFoLK: An American Show” at The Bushwick Starr, March 2020. Photo: Maria Baranova
...one moment Minor will be playing Richard Nixon... in another the electric Derry will be a chanteuse with hypnotic powers.”
-Helen Shaw, VULTURE
Tsebiyah as Blanche in The Other Side of Silence’s “Leaving The Blues” at The Flea Theater in NYC, January 2020. Photo by MIKIODO.
"Waiting," by Nora Sørena Casey. Directed by Anne Cecelia Haney. Photo by Gordon Penn.
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Tybalt in Hypokrit Theatre Company’s “Romeo & Juliet.” Directed by Molly Houlahan. Photo by Hunter Canning.
Promo for “SKiNFOLK: An American Show” world premiere at The Bushwick Starr. Coming Feb-March 2020. Photo by Maria Baranova.
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“An experience that no one has asked the right questions for,” exclaims Avery (an ethereal Tsebiyah Mishael Derry), who, along with the Smiling Tuxedoed Man (an impish Lori Sinclair Minor), helps Walker convey a sensuous evening filled with the promise of mutability, an existence without the restraints of what our skin color binds us to.
—Jose Solís, NY TIMES
A promotional photo for “SKiNFoLK: An American Show” at The Bushwick Starr, March 2020.
Photo: Maria Baranova
"Mike's uber-intelligent, upper-middle-class, African-American wife Kate (superbly played by Tsebiyah Mishael)... falls all over herself to be gracious to Margie. Kate is the closest thing to a sympathetic character in the play and Mishael deftly navigates Kate's subtle and not-so-subtle qualities, providing the only reasonably objective voice in the story. "
-Peter Danish, BroadwayWorld
The choir of Rocktopia on Broadway with the show’s guest, Dee Snider of Twisted Sister.
The company of Ellen Winter’s (36 Questions) “This House Is Your Home” concert at The Tank Theater.
Photo: Jamie Shapiro/Sam Monaco